Noha Abdelrassoul’s poetry is deeply evocative, weaving together personal introspection, historical trauma, and existential displacement. Her verses navigate the fragile boundaries between presence and absence, memory and erasure, self and other. There is a persistent tension in her work—between the act of remembering and the desire to remain distant from what is recalled, between structured systems and the chaotic emotions that slip through them.
A key theme running through her poetry is displacement, both physical and emotional. She crafts images of transience—trains, temporary shelters, lingering silhouettes—suggesting a world where permanence is elusive and identity is shaped by movement, loss, and adaptation. The metaphor of music, particularly jazz, becomes a meditation on control and surrender, with the poet questioning whether she can allow herself to improvise, to step into the unknown rather than cling to past harmonies.
Her language is precise yet expansive, allowing small details—tents, bricks, trams—to become symbols of broader histories of violence, exile, and survival. She dissects words and their implications, revealing how language is both a tool for clarity and an instrument of distortion. In doing so, she highlights the impossibility of fully capturing suffering, especially when it is mediated through history, rhetoric, or fiction.
There is a quiet yet relentless urgency in Abdelrassoul’s poetry, a need to bear witness even when the act of witnessing itself feels inadequate. Her work resists closure, mirroring the unresolved realities of those who live in the aftermath of destruction. She does not offer resolutions, only the raw act of documenting, of attempting to name and frame that which constantly slips away. Through this, her poetry becomes not just a reflection on history, but a deeply human attempt to find meaning in the fractures of existence.
The project is part of the subthemes Re-imagining identity through poetry, The Ecology of Language - Poetry and Environmental Action, Healing Narratives - Poetry, Mental Health and Collective Trauma, Cultural Resilience - Literature as a force for social justice.
Author
Noha Abdelrassoul
Noha Abdelrassoul, born March 21st, 1987 in Alexandria, Egypt has been residing since 2017 in Saarbrücken, Germany, where she is currently studying for a Master’s degree in comparative literature. Her poetry was published in Arabic and in German in: Mosaik literary Magazine Online (Austria), “Das Gedicht” (Germany), Kon-Paper literary and cultural Magazine (Germany), Akhbar Aladab literary Magazine (Egypt), Alketaba.com (Egypt), Al-Qahera Newspaper (Egypt).
She has participated at poetry readings in Germany (Lyrik-Kabinett München November 2023, Event, as a workshop participant of a workshop moderated by Daniela Danz: Lyrisches zur Nacht, part of the Poetry Festival "Lyrik über Land", Vollradisroda, Thüringen, September 2024.
She wrote literary and film reviews, journalistic and scholarly articles and interviews in Arabic, German and English for: Kindlers Literatur Lexikon online (Germany), the edited volume “Wiederkehr des Subjekts?”, a publication of the research project “Lyrik in Transition”, lyrikkritik.de (Germany), kanalfuerpoesie.org (Germany), Qantara (Germany) Goethe-Magazin Egypt, Alam Al-Ketab (Egypt), Masreiat (Egypt), Li-Lak (a former project of Goethe-Institut Egypt), Alex Times (Egypt).