Publisher: Le lézard amoureux, 2026
Translation: Natalie Fontalvo
Linguistic revision: Maureen Roberge
this land
must be earned
you must walk its shores shiver its ice ages
if you haven’t been caught off guard
by the northeast wind
in the heart of summer
you haven’t yet understood the otters
weaving their way through its rivers
nor the silences that spread
in the eyes of its people
when the ache of the country overflows
and the breakers
become sea-spray of dreams
anthems of defeat
each snow storm gives birth to a small bomb
marked with my first and last name
whole neighborhoods of me implode
arrasaos por los copos de nieve
the streets turn into valleys of dead matter
como la cara oscura de la luna
shards of aborted outings
of pyrite-blue
blazing gold days
just across from the city
wandering waters
ondulan chocan se recuerdan
the pack ice grows and breeds itself
immanent
without warning
the ships cannot pass
they need a captain
born off the st. lawrence river
fluent in the language of frost
and i
who try to carve my own way
without inherited blades
without fur
without understanding the polar vortex
nor the whistlings of the white crests
i who speak only what burns
y yo
que intento abrirme camino
sin cuchillos en mi herencia
sin pelaje
sin entender el vórtice polar
ni esos silbidos de las crestas blancas
yo que no hablo sino en lo que quema
it resonates through my vessels
that moment when a stranger
looks me in the eyes and says
hola qué tal
three words
hola que tal como un estruendo
three words in spanish
in an african town
three words y un descubrimiento
my tongue is not yoruba nor bantu
it’s not thousands of years old
it’s not diaphanous nor accurate
to find it
i must learn how to track down
the dazzling traces of blood
dancing on the sea
mi idioma no es yoruba ni bantú
ni milenario
ni límpido ni certero
pa encontrarlo
tengo que seguir el rastro deslumbrante
de la sangre bailando
sobre el mar
To all my aunts
auntie with you i learned that lips are
painted red |at night| to forget the
sadness of the day that parfum is always
applied in three times navel wrist neck
por si las moscas that carnival is danced
with the same devotion with which one
prays las novenas navideñas that on
december 7th we honor |the inmaculate
conception| until sunrise con farolitos
vallenato y ron that birthdays are
celebrated rain or shine that new year’s
eve is made to be dressed to the nines
even if that means pawning last year’s
gifts
pero tú enrollaste las polleras con ayunos
con diezmos |las doblaste| con cordeles
bañados en hierro consagrao en nombre
|de las llagas| de cristo las metiste con las
últimas bolitas de naftalina |de la abuela|
en el cofre de pirata que sembraste en el
patio entre los mangueros con semillas
recogidas en la luna nueva negando toda
filiación mágica pero rezando por que
nazcan rosales con el olor de tus muertos
To my niece
i |too| wanted to be wonder woman i split
my forehead open without knowing that
the heroines that would always stay by
my side would be the ones that took me to
the park |without leaps| without lassos
without long legs
nuestras historias no se alumbran en inglés
ni con colores |de disney| |de marvel| no
tienen el acento diáfano de las montañas
nuestros poderes vienen de bestiarios |de
lodo| de mar |inundando los bronquios| de
esos cuentos canallas de la sangre
quemada pa rotar los cultivos de atajos de
contrabandistas de mapas trenzaos sobre
cabezas de palenques de bohíos de ritos
transmitidos rezando santos lavaos como
dólares |de frente| de pie con la sonrisa y
los cartuchos trasnochaos chispeantes
i offer you this song of my knitted broken
bones in the hope of sparing you lingering
pains
epilog
epílogo
y en que idioma te escribo a ti hijo
in which language my son
cómo te pido perdón
for your hallucinated nights
for your childhood steeped in my dreams
you grew up amid my wanderings
the sweetness of the maple trees devorándote los huesos
the spanish slung across your shoulder
escopeta de palabras perdidas
de discos nuevos
i hear your vertigo your silence
the skin haunted by december’s afternoons
from the times of the verandas
con los mecedores y la abuela
y las naranjas y las ciruelas
i offer you
times when we find each other
sin cita pero puntuales
at every turn de nuestros trayectos oblicuos
pa hablar nuestros idiomas piratas
bloodthirsty bluntly
nacidos de los miembros fantasmas de los nuestros
langages tattooed on our arms with ice and salt
our hunger for the impossible
the anchor of the divina and monstrous fauna que late
en nuestras aguas turbias
Author
Natalie Fontalvo
Writer, performer, artistic director Natalie Fontalvo would have liked to be a Caribbean pirate; born in the wrong century, she became instead a pluridisciplinary artist. Like her identities, Natalie’s artistic practice is a mestiza: literature, theater, cinema, multidisciplinary arts. Her creative work has been exhibited in Quebec City and abroad, in theaters and festivals. Winner of several grants and distinctions, in 2023, her work earned her a place as finalist for the Quebec City Emerging Artist Award. In the field of literary arts, in addition to her oral poetry practice, Natalie has directed and participated in the creation of several stage and audiovisual literary projects, including Féroce Croustillant Carnaval (Festival Carrefour, 2026) and Le Vieil homme et la mer (Québec en toutes lettres, 2023). She also carries on a master degree in literary translation at Université Laval. Her work has appeared in literary magazines and in poetry and fiction anthologies, notably Épidermes and Il y a des joies dont on ignore l’existence (Les éditions Somme Toute, 2021 and 2022). Her first solo poetry collection, Là où l’espagnol me fait mal, will be published in the fall 2026 by Éditions Le lézard amoureux, accompanied by a literary show of the same name produced and presented by the festival Québec en toutes lettres. Since 2023, Natalie is the artistic co-director of Spoken word Québec, where she works towards putting poetry there where it’s not expected. She is also the co-founder and co-director of the Festival international de poésie de Québec (Quebec City International Poetry Festival), whose inaugural edition took place in March 2026.
Photo by Atwood