Claire Lajus
- France -
Claire Lajus is a poet, a translator of Turkish, and founder and curator of the online journal Ayna (revueayna.com) which promotes contemporary Turkish poetry. She currently teaches translation at the University of İstanbul. She has been a Versopolis poet since 2023 and she hosts poetry readings for the Voix Vives festival in Sète, France.
Her poems have been published in various journals. She has written L’Ombre remue and Aperçus indisponibles (Éditions La Crypte), Aux Aguets (L’Harmattan), Une Traversée (Éditions MarsA).
Poetry writing stems from necessity for Claire Lajus, her poems are like a compass in her life. They help her understand the world better et know oneself better, they represent her lever for a better life and keeping her eyes wide open.
She has a collection translated into Turkish (Kulağı kirişte), and some of her poems have been translated into Serbian, English, Romanian and Maltese. She regularly participates to poetry festivals in France and abroad. In August 2024, she was a writer-in-residence at the Writers’House in Bursa, Nilufer, Turkey, for writting on her first novel. Claire Lajus also organizes projects focused on poetry, both through her e-journal and her own works. In Turkey, she has organized two “Printemps des Poètes”, events at the French Institute in Istanbul in 2023 and 2024. In 2025, she performed a reading with music, and song with Roula Safar (singer and musician) based on the poems of Yunus Emre, staged at the French Institute in Ankara.
Her poetry explores the margins and asks questions in a stripped-down language. It is a poetry concerned with the world.
Claire Lajus has translated ten poetry collections from Turkish into French as well as Turkish author Duygu Asena’s bestseller, published by Bianchi in December 2025 under the title Une Femme n’a pas de nom. She also has translated the Sufi poetry of Yunus Emre and the great Nazım Hikmet.
Poetry writing stems from necessity for Claire Lajus, her poems are like a compass in her life. They help her understand the world better et know oneself better, they represent her lever for a better life and keeping her eyes wide open.
Sometimes her poetry is exploring the intimate, the invisible fiber of the being within one’s entrenchments, and sometimes the world pulse, the weirdness and injustices of it. The poem connects her to a vital space, to the redemption of words throughout the power of words that get lost, reunite et rebel like wounded creatures, at times illuminated ones. Knowing the limits of adventure, she recreates meaning by plunging into the multiple forms of the living, be it made of delicate skin or rock. With successive strokes she perceives the essence of the surrounding, first with contemplation, a merciless awareness of facts or their loss (a question suddenly lighted and instantly hushed), then with empathy whereby, as she says, the poet clings to the story.
Among the recurring themes of her poetry, we often find pairs, for instance Time with absence of Time -an eternal instant- oblivion with memory, wanderings and stillness, frailty and strength.
The poem is either porous, surly or drilled. Claire Lajus attributes importance to the musicality of language, she chews her words at length before writing them down so as to shape them into a poem. Her poetry is open onto the world and others, “we” is more frequent than “I”.
They are short poems often, but they form a succession, echoing each other. It is a poetry of senses and matter.
Outstanding in her poetry is the room for the non-human. Wildlife, flora, mineral spaces, mountains are ever-present, for all these have an effect on the poet’s sensitivity and her understanding of the world. They are her allies in the face of both the violence of the world and her life companions.
Often with economy of words, the poet seeks an image to affect and create a vision for the reader. Through vision she wishes to transmit what emotion has taught her. Thus, in her poetry, both the gaze and brief gesture reshape the poem. One of her collections is titled “On the watch” (Aux aguets), because what matters is the author’s physical posture seeking to flush out the accuracy of an emotion, whether it be existential or whipped by the violence of an unsustainable reality.
With Claire Lajus are found both outrage (facing the world order) and astonishment (metaphysical) ; they are the two strands of her poetry.
Poetry
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Words / De la parole
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Chorus – City of Palmyra / Le chœur- la Cité de Palmyre
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The Refugee’s Song / Chant du réfugié
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The song of the sea / Chant de la mer
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Procession / Cortège
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No preview pictures / Aperçus indisponibles
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among / parmi
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fallen house / maison effondrée
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no definition / sans définition
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simple sometimes / simple parfois
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inside / dedans
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to be in the world / être au monde
