Poets are defined by their relationship with language, with the ways that they harness observation through words to ontological changes, changes the way that we think and understand the world. Poetry becomes knowing through the application of sensual love.
Upon his untimely death in 1988 at only 43 years old, Canadian writer Barrie Phillip Nichol (known as “bpNichol”) left behind a legacy of generous and generative writing; from Fraggle Rock scripts to children’s books; from sound poetry to epic life-writing; from small press activism to concrete poetry; from the world’s first computer-animated poem to comic books. His work continues to reverberate, inspiring writers and readers.
Nichol believed that he had an “apprenticeship to language,” an ongoing, shifting, learning relationship—not a mastery, but an evolving relationship—a love.
The vast majority of scholarship on Nichol focuses on his 9-volume life-writing project The Martyrology, a sweeping exploration of a lived process. Nichol’s other trilogy—Love: a book of remembrances (Talonbooks, 1974), zygal: a book of mysteries and translations (Coach House Press, 1985) and art facts: a book of contexts (Chax, 1990)—has recently been reissued as the single volume a book of variations: love-zygal-art facts (Coach House Books, 2013). The trilogy represents the most eclectic and wide-ranging aspects of Nichol’s oeuvre, and is exemplified by the first in the series, Love: a book of remembrances.
“ghosts” consists entirely of relief-rubbings of letters. Like the brass-rubbings of genealogists and historians who haunt churchyards and cathedrals for elusive examples of antiquary plaques and memorials, the poems suggest an absence; a physical shadow. Like Marcel Duchamp’s idea of the inframince (“infrathin”), the poems of “ghosts” suggest the presence of an absence; the apparition of letters as they assert themselves form the memory of the past. Each spectre, each ghost, confronts the idea that poetry comes from a romantic inspirational cloud, a bolt from the blue, a missive from the gods. While the grey mist of inspiration may be present—here re-enacted by blurred strokes of pencil and felt-pen—the letters assert themselves not through divinity but through the physical, erotic labour of frottage. Letters—the smallest and most delicate pieces of poetry—are rubbed until they make their presence known; each sensitively aroused through paper and graphite.
With the “love poems” sequence, Nichol’s letters assert themselves not as graphical markers of sound, or as parts of words, but they as characters, as nouns:
adore adore
adore adore
an opening an o
an h a leg a table or
a window & a w
a sky that is d
a lake that is f
e
[...]
me
you or me or
i h & d
m e
e f d
o
(Nichol, bp. “a small song that is his.” a book of variations: love-zygal-art facts. Toronto: Coach House, 2013. 61)
Letters are summoned, integrated and with “love poems” become physical—they become nouns—things in space. Nichol’s physical touch, his open minded perception, has poetically shifted letters from portions of words into their own thingness; the wishing, the feeling, the loving, has made it so.
The “love poems” sequence, typified by “a small song that is his,” catalogues the dreamlike function of these letter-nouns. Letters occupy the space of existence, they become items encountered in the every day, where “a window or a w” might open out on a vista, where an “opening or an o” might lead to new opportunities. Each poem in “love poems” attests to a new way of seeing the world, a set of eyes released from the cloud of sameness, where even “a w / a q / an ordinary o” becomes rich with the difference of seeing.
As Nichol writes in “A letter to Mary Ellen Solt” (in meanwhile: the critical writings of bpNichol, Vancouver: Talonbooks, 2002), the poems of “love songs” were, after the foreplay of “ghosts,” a climaxing which concreted his dedication to the alphabet:
i began to write Love climaxing in a long 49 section [...] love poems because they expressed my feelings about the alphabet celebrated by wedding to it (i wax romantic but its true—the burst of feeling when i wrote then was incredible)
then i lay fallow (115)
The poems of Love—from physical arousal, to change in perspective, to open-minded transformational ideas, to permanent change in viewpoint on the world itself, demonstrates Nichol’s “burst of feeling” and “wedding” to language. Like many poets, Nichol’s ineffable relationship with the material of poetry – the letters, the punctuation, the phrases and rhymes – belies the traditional expectations of poetry. Poets are not limited to beautiful, euphonious, expression of love; that love is also turned directly to the material of their expression. For poets, loving is material; it is the love of letters, of process, of discovering how these pieces create a new world.
Thinking is a lonely business
One of Europe's leading philosophers and co-founder of DiEM25 on Covid-19-related infodemic, living in “the Mediterranean as in once was”, the climate and ecological apocalypse and much more
One of Europe's leading philosophers and co-founder of DiEM25 on Covid-19-related infodemic, living in “the Mediterranean as in once was”, the climate and ecological apocalypse and much more
"Festival of Hope": A Global Virtual Poetry Initiative by Versopolis
"Festival of Hope": A Global Virtual Poetry Initiative by Versopolis
Georges Simenon was Obsessed with Life (and Ladies)
A review of Michel Houellebecq's Sérotonine
Timur Vermes’ Look Who's Back
Review of The Voynich Manuscript, Edited by R. Clemens
Review of The Voynich Manuscript, Edited by R. Clemens
Life, Literature and Love
A Review of Aaron James’ Assholes: A Theory of Donald Trump
A Review of Aaron James’ Assholes: A Theory of Donald Trump
A Short Story
A Short Story
Eight fragments about the possibility of poetry losing it’s national, ethnic background
Eight fragments about the possibility of poetry losing it’s national, ethnic background
Life, Literature and Love
Joseph Brodsky's poetry embodied his conviction that language is older than state.
Joseph Brodsky's poetry embodied his conviction that language is older than state.
A review of Michel Houellebecq's Sérotonine
On censorhip in Egypt
Art History had been axed by the last exam board in England to offer the subject at A-Level.
Art History had been axed by the last exam board in England to offer the subject at A-Level.
Changing the meaning of the most important word
Changing the meaning of the most important word
Review of Andrei Nikolaidis’ The Son and The Coming
Review of Andrei Nikolaidis’ The Son and The Coming
El Greco was almost forgotten after his death. He was rediscovered only by the artists of the 20th century.
El Greco was almost forgotten after his death. He was rediscovered only by the artists of the 20th century.
The text of the death of David Foster Wallace became marketable and commercial
The text of the death of David Foster Wallace became marketable and commercial
Life, Literature and Love
Call me by your name film review
He thinks music and literature can co-exist
He thinks music and literature can co-exist
Hundreds of people under the high ceilings. A constant flow. People pushing and being pushed, while trying to take pictures.
Hundreds of people under the high ceilings. A constant flow. People pushing and being pushed, while trying to take pictures.
Book Review: A Brief History of Seven Killings by Marlon James
Book Review: A Brief History of Seven Killings by Marlon James
What does it – in literature – mean to have style or not to have it? Can it be taught and learned or is it a matter for the muses?
What does it – in literature – mean to have style or not to have it? Can it be taught and learned or is it a matter for the muses?
In the Francophone cultural world, the romantic image of a pure author, inspired by the Muses, serves the literary structures.
In the Francophone cultural world, the romantic image of a pure author, inspired by the Muses, serves the literary structures.
Medication from Ibn Hazm to Antidepressants
A Review of Edouard Louis’ The End of Eddy
A Review of Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch - “Compiled and edited, with Footnotes of an Educational Nature and Precepts for the Wise, by Neil Gaiman and Terry Pratchett.”
A Review of Good Omens: The Nice and Accurate Prophecies of Agnes Nutter, Witch - “Compiled and edited, with Footnotes of an Educational Nature and Precepts for the Wise, by Neil Gaiman and Terry Pratchett.”
A Review of Swing Time by Zadie Smith
