Michel Delville is a poet, musician and essayist born in Liège, Belgium, in 1969. He teaches literature and comparative literature at the University of Liège, where he directs the Interdisciplinary Center for Applied Poetics. He is the author or editor of some twenty books pertaining to contemporary poetics, including The American Prose Poem (University Press of Florida, 1998), Food, Poetry, and the Aesthetics of Consumption: Eating the Avant-Garde (Routledge, 2009), Crossroads Poetics: Text, Image, Music, Film & Beyond (Litteraria Pragensia, 2013), and
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Undoing Art (w. Mary Ann Caws). His books of poetry include Le troisième corps (Le Fram, 2005), which was translated into English as Third Body (Quale Press, 2009) and Entre la poire et le fromage (2014), which is currently being translated into English by Gian Lombardo. He has also published a para-poetic essay on Frank Zappa and Captain Beefheart (Salt, 2006). His awards and distinctions include the SAMLA Book Award, the Choice Outstanding Book Award, the Wernaers Prize for the promotion of research and the diffusion of scientific knowledge and the Belgian American Educational Foundation Alumni Award. As a musician (Delville has played and recorded with Elton Dean, Dave Liebman, Elton Dean, Annie Whitehead, Harry Beckett, Chris Cutler, Ed Mann, Dagmar Krause, Karen Mantler, Robin Rimbaud, The Brussels Philharmonic and many others) Delville creates mixed-media projects featuring poetry laced with music, visuals and electronics. He has set to music the poetry of Gertrude Stein and Robert Creeley and recently developed a “verbivocovisual” adaptation of Stein’s Tender Buttons in collaboration with the British video-artist and poet Marc Atkins and the American drummer Tony Bianco.