The Secret History of Art

Velazquez vs Bernini

Innocent X Throw-Down

/ by Noah Charney

In Rome’s Galleria Doria-Pamphilj, there is a room that contains two portraits of the same man, Pope Innocent X. One is a painting by Diego Velazquez, the other a bust carved by Gian Lorenzo Bernini. Their juxtaposition is an intentional throw-down between arguably the two greatest artists of their shared era. Who would you declare the winner in this duel of portraitists?

 

Velazquez

Portrait of Pope Innocent X”

(1650)

In the 16th and 17th centuries artists and intellectuals liked to debate the relative merits of painting versus sculpture versus poetry. Which was the “best” art form? Today it seems clear that all are great, and do different things well. But back in the day, this was a hot topic of conversation, referred to as the “ut pictura poesis” debate, drawing from a line by the Latin author, Horace, which translates roughly as “as in painting so in poetry.” The curators of this museum have done an admirable job in setting up a special room in which this debate comes to life, juxtaposing two portraits of the same person, Pope Innocent X of the Pamphilj family, in a painting by Velazquez and a bust sculpture by Bernini. Let’s first examine who Innocent X was, then consider the Velazquez portrait of him, before moving on to the Bernini portrait. It’s up to you to decide which you prefer in this showdown of two of the leading Baroque artists.

 

Poet of the Week
Anna Axfors
Twitter time

all ”clickbait” touches me

 

am I the only one who hates princess madeleine’s kids?

 

Brush off the ash from the lips

 

Can someone give me peace in my soul????

 

Damn I should get interested in science like space n nature. Anyone know a good documentary about this?

 

Everyone who wants to shorten my poems are fascists

 

Everything should be punk

 

God how you enjoyed crying as a kid. And your mom said ”sorry” & tried to comfort but you kept crying because it was so nice being powerful

 

how would I do without twitter? like the sun without the moon. would be fine that is

 

I am Zlatan

 

I’ve forgotten you all because that’s the way I am. living in the present

 

if I happen to die vry soon I want you to know that I loved you all, boys & girls, adults & kids, black & white, I liked everyone equally

 

I met an auschwitz survivor yesterday. he said that I looked like the woman in the

tv series bron

 

I want someone to favorite my tweets. now.

 

 

I want to tattoo something from the sea

 

It’s twitter time. It’s that time of day

 

just cooked some fucking meal that some fucking farmer in the country could’ve cooked

 

Life feels like a nightmare

 

Looking down at my phone

 

lying at the cemetery while writing, it feels symbolic

 

Now I’m going to estimate how many ppl that are in love with me, I think

it might be ten ppl. Don’t know if it’s an over- or underestimate

 

One of the most chillingly cheesy things I know: sayin that someone is your grandpa though he isn’t, just bc it’s an old man that you know

 

Poets are like models but within text

 

Something happened a couple of years ago

 

The title of my autobiography:

I’m half dog half wolf

 

The train has been standing still in the woods 4ever…always scared it’s war when that happens.

”The train is standing still due to war”

 

This tweet is sponsored by my brain

 

Trying to come up with stuff to tweet

that doesn’t infringe on my integrity

 

Ultrasound, that’s child pornography to me

 

watching a documentary about metallica,

on mute

 

what are you supposed to bring to the beach? anyone know?

 

what if a book was published containing everything that has been written and then deleted. I would like to read that book.

 

What if bus driver was to be the new high-status profession

 

what if you have misunderstood a lot of people?

 

When I get home I wanna watch a documentary

 

when I saw a guy today it felt like I had dated him in my previous life

 

why aren’t beds designed more like hospital beds? height adjustable with one of those tables attached to it

 

why do people hate on those animal click links? they’re usually very cute/entertaining/touching!!!

 

wonder how it feels to kill someone.

 

Wonder if God sent all people to earth just so he could get free porn

every day

Born Giovanni Battista Pamphilj (1574-1655, and pope for the last ten years of his life), Innocent X descended from a line of aristocrats from the Umbrian city of Gubbio. He trained as a lawyer and was made cardinal in 1629, before being voted in as pope in 1644, succeeding the charismatic patron of the arts, Pope Urban VIII. As a cardinal he worked in Spain for an extended period of time, where he encountered the work of Velazquez, the favorite painter of the Spanish Habsburg monarch, Philip IV. The 1644 papal conclave, the cardinals locked inside the Sistine Chapel to decide on the next pope, last nearly a month and was hotly contested, with Innocent X narrowly winning the election, just ahead of arrival of the powerful French leader, Cardinal Mazarin, who objected to him because of his pro-Spanish, anti-French sympathies. No sooner was he elected than he brought legal action against a rival family of Roman nobility, the Barberini, who he disliked personally, prompting them to flee to Paris, seeking the protection of Mazarin. Seizing the opportunity, Innocent commandeered the Barberini family property (including several palaces and a magnificent art collection. It was only when Mazarin threatened to send troops to Rome that Innocent reinstated the Barberini and returned most of their goods. Like many popes, Innocent likely had lovers, foremost among them Olimpia Maidalchini, the ex-wife of his deceased brother.

 

Velazquez made this portrait during a visit to Italy, where he was sent by his patron, Philip IV, to acquire art for the royal collection in Madrid. Velazquez paints in a painterly manner—meaning that brush strokes are evident, the painting clearly comprised of blocks of color. You can imagine the feel of the garments, in linen and satin and silk, as the light glints off them. Signatures are rare in paintings prior to the 18th century, but Velazquez signed his name on the piece of paper he painted in the pope’s hand. Based on the light weight of the pope’s clothing, we can guess that the portrait was painted during the summer.

 

There is a legend about this painting, its truth uncertain. It is said that Velazquez offered to portray the pope, but the pope was not familiar with his work, and asked him to show him an example, to see how good he was. Velazquez showed him a portrait he had done of his servant, Juan de Pareja, which astonished the pope and he consented to commission his portrait. When he saw the finished product he exclaimed troppo vero “Too true to life!” This story is improbable because the pope would surely have encountered the work and reputation of Velazquez when he worked in Spain, but a nice story all the same. But is this painting better than Bernini’s bust of the same man?

 

Bernini

Portrait of Pope Innocent X”

Now turn to the sculpted portrait in white Carrara marble of the same pope. It was made by the genius of Baroque Rome, Gian Lorenzo Bernini, the man responsible for a huge number of buildings, monuments, and sculptures, the favorite artist of Pope Innocent’s predecessor, and a one-man dynamo. Bernini was obliged to do two versions of this same bust (the other is also on display at this museum), because he hit a fault in the marble around the beard when carving the first. Marble sometimes has cracks or faults in it that cannot be seen from the outside, so an artist can be nearly finished with a sculpture then suddenly hit a fault and a bit breaks off! But Bernini was not phased. He was renowned for working very quickly, and fired off another bust in no time. One of Bernini’s trademarks is sculpting garments that give the illusion of a texture other than the stone in which they are carved, and also inserting a single button that is not quite buttoned fully—a bit of an inside joke. The fact that he can transform a cube of stone into a lifelike portrait, which this incredible level of realism and delicacy (see how deeply-carved the beard is, and note the vein on the skin) is remarkable—he is certainly a candidate for the title of the greatest sculptor in history.

 

But what of the portrait itself? There is a saying that a great portrait should reveal something hidden about the sitter that the sitter would prefer remained hidden. Some family skeleton in the closet, or a revealing truth or personality trait that the sculptor is aware of, but the sitter is shy to reveal. It is also of interest to consider whether you can “read” the thoughts and emotions in the face of a portrait. Can you tell what the pope is thinking in either Bernini or Velazquez’ portraits? It is up to you which you think is more successful. To me, the Bernini is more impressive in terms of the artistic skill required to transform a hunk of marble into a lifelike portrait, but I feel that I can “read” more about what Innocent X was like in Velazquez’ painting.

 

What about you?

....
Noah Charney

is a professor of art history and best-selling author of, most recently, The Art of Forgery. You can learn more about his work at www.noahcharney.com or by joining him on Facebook.


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